Stairwell To Pop Heaven - EMI House in Manchester Square

by Stuart Penney

North of London's Oxford Street, behind Selfridges department store, lies the grand 18th century open space known as Manchester Square.  Between 1960 and 1999 EMI Records imposing seven storey glass fronted headquarters was located there (don't look for it, it was demolished at the turn of the millennium).

A pre-fame David Bowie plays it cool in Manchester Square. As Davy Jones and the Lower Third he recorded “You’ve Got a Habit of Leaving” for EMI’s Parlophone label in 1965, which is when this picture was taken

Bandleader Joe Loss got there before the Beatles. October 12, 1961. Photo by Angus McBean

The one thing nearly every music fan knows about EMI House at 20 Manchester Square is that in February 1963 the cover photo of the Beatles' debut LP Please Please Me was taken there on the second-floor landing.  But most people are possibly not aware that EMI's press office used Manchester Square as a cheap and convenient location for their publicity photos.  Dozens of iconic pictures were taken against the railings at the front of the building, or on the spiral staircase leading to the outdoor basement area and some, like the Seekers' EP cover shown here, were even snapped across the road in the leafy, park-like environs of Manchester Square itself.  The Marylebone Council wooden park bench on which Judith Durham is reclining so seductively is clearly branded "Manchester Square 1953."

In 1969 the Beatles returned to Manchester Square with original Please Please Me photographer Angus McBean to recreate the stairwell shot for the intended Get Back album.  This record never materialised, and the project eventually turned into Let It Be.  But both photographs were eventually used in 1973 for the so-called Red and Blue compilation albums (officially titled 1962-1966 and 1967-1970).

The Supremes visited EMI House in October 1964

When EMI left Manchester Square in 1999 the famous section of stairwell railing complete with glass (but not the stairs themselves as is sometimes claimed) went with them and was installed in the first-floor cafe of their offices in Brook Green, Hammersmith.  In 2009 EMI moved yet again and the railing was mounted in their reception area at Wrights Lane, off Kensington High Street.  Since then the once-mighty EMI has been swallowed by a series of mergers and takeovers and today the Wright’s Lane building is the home of the Warner Music Group.  It’s thought that Paul McCartney now owns the EMI handrail and keeps it in his studio in Sussex.

The Seekers in Manchester Square 1965

The Beatles’ stairwell shot has become almost as legendary as the Abbey Road sleeve over the decades, with many spoofs, parodies and imitations appearing by bands as unlikely as the Sex Pistols and Blur.  The location was obviously not as accessible to the public as the landmark zebra crossing of course, but you can bet your life that every young musician who visited EMI House in the closing years of the last century couldn’t resist sneaking a quick pose on that first-floor stairwell.

The Beach Boys outside EMI House in November 1964

The Beatles returned to Manchester Square in 1969. Originally intended for the aborted Get Back album, the Angus McBean photos were used for the 1973 Red and Blue compilations

Syd Barrett era Pink Floyd in Manchester Square early 1967, shortly after signing to EMI

The Beatles pose in the basement area of EMI House 1963. Photo by John Dove

An alternate shot from the Please Please Me LP cover session was used for this Beatles EP, released November 1963

The Beatles with publisher Dick James and producer George Martin at EMI House, March 1963. Photo by John Dove